Date sent: Mon, 8 Apr 2002 23:00:30 -0400 From: "Mike N. Reinemann" http://www.medialifemagazine.com/news2001/july01/july16/5_fri/news4friday.html VH1's 'Hysteria,' glam rock sans roll July 20, 2001 Def Leppard biopic is a story not worth repeating By Andrew Wallenstein When the time comes for my inevitable run for President of the United States, there's one skeleton in the closet I won't be able to explain. As a teenager, I experimented with hair metal. No, hair metal isn't some street drug you never heard about. It's a genre of music popular in the late 1980s also known as glam rock, lipstick metal or, as it's more commonly known in retrospect, crap. Screeching electric guitars were played by grown men wearing more makeup than Tammy Faye Bakker, not to mention enough hair spray in their bleached tresses to knock a hole in the ozone layer. This forgettable era came back to me with the force of an LSD flashback after watching "Hysteria: The Def Leppard Story" (Wednesday, 9-11 p.m. ET, began July 18th), VH1's original movie chronicling the rise of one of the genre's best-known bands. "Hysteria" was the name of their most popular album, which went 10 times platinum and 10,000 times into the cassette decks of assorted cars I've driven. By any measure, VH1 made a curious choice in devoting an entire film to Def Leppard, which we learn was purposely misspelled because the name looked cool that way (I always thought the excess peroxide seeped into their brains). Of all the bands featured in "Behind the Music," their story isn't that compelling and their place in music history is nonexistent. Although their drinking and drugging were among the most legendary of the glam rock bands, surely Motley Crue was even wilder, making them a better representative of the genre. But "Hysteria" takes its subjects seriously, and that would be more difficult to do with a band that wore lipstick and leather. Def Leppard's fashion choices always seemed more restrained in comparison: jeans that looked as if they were caught in a lawnmower and the British flag emblazoned on T-shirts and shorts tight enough to give the Queen Mum hot flashes. The real reason VH1 chose Def Leppard is revealed in the opening scene of "Hysteria." Driving a sports car, high on drugs, drummer Rick Allen (Tat Whalley) crashes and flips the vehicle over more times than Greg Louganis off the high board. His left arm is torn from his torso, creating something of a Zen conundrum: What's the sound of one arm drumming? The horrifying accident frames the story of Def Leppard, a band driven to succeed in its desperation to escape its industrial hometown of Sheffield, England. Preferring playing heavy metal to lifting it, they practice hard until they catch the eye of master producer Mutt Lange (Anthony Michael Hall), who launches the band into the orbit of international stardom. But this being VH1, there's no rise without a fall: In addition to Allen's grisly crash, there are departing band members, raging egos, angry girlfriends and other obstacles to contend with. The entire band also happen to be full-time alcoholics, which leaves "Hysteria" a boring blur of close-up shots of open mouths alternating between bottles and microphones. Viewers would also have to drink excessively in order to see the resemblance between the actors and their real-life counterparts, which is nonexistent. The garbled British accents are nicely replicated, though, and without the subtitles often needed to comprehend Def Leppard in interviews. It's also nice to see former teen star Hall still working. He's revived his career nicely by playing real people in cable biopics (Whitey Ford in HBO's "61" and Bill Gates in TNT's "Pirates of Silicon Valley"), but it would be really great if a movie producer had the guts to give him comedic roles similar to those he excelled in 20 years ago in "Sixteen Candles" and "Weird Science." As for "Hysteria," the film is no match for the Def Leppard episode of "Behind the Music," which makes this effort unnecessary overkill. Still, I had to pop in the album after the movie ended, which is really what VH1 intended anyway. © 2001 Media Life ---------------------------------------------------------------------- -Andrew Wallenstein is the television critic for Media Life.