http://www.canada.com/ottawacitizen/news/arts/story.html?id=4196788c-88c5-4760-bacd-15ed7cd8b68a Rock Steady Lynn Saxberg, The Ottawa Citizen Published: Thursday, April 10, 2008 You would think a near-legendary band like Def Leppard would be certain of their rock-star status. After all, they're the ones behind such fist-pumping anthems as Rock of Ages, Photograph and Pour Some Sugar on Me, and have sold millions of albums around the world. They've been at it for more than 30 years and have survived death (guitarist Steve Clark died in 1991) and dismemberment (drummer Rick Allen lost his arm in a car accident in 1984 and plays with a modified drum kit). And though their old songs endure on classic-rock radio stations, the band, which comprises singer Joe Elliott, guitarists Phil Collen and Vivian Campbell, bassist Rick Savage and drummer Allen, is still a creatively viable entity. In fact, a new disc is due for release later this month, and the first single, a collaboration with country superstar Tim McGraw, is already a hit. Plus, the touring never stops. Def Leppard is headlining a major arena excursion with fellow 1980s survivors R.E.O. Speedwagon and Styx (featuring Canada's Lawrence Gowan) that's making its way across North America. Pulling into Ottawa on Saturday, it's the hottest ticket of the season -- a sold-out show with more than 15,000 fans expected at Scotiabank Place. The buzz is deafening. With things going this well, you'd expect the band members to be on top of the world, fairly convinced they're doing something right. But, as guitarist Collen revealed in a recent phone interview, "It's never a slam dunk." As an example, he refers to the band's last disc of new material, 2002's X, which did not sell well. "We thought it was great and no one heard the bloody thing," he says. "We tried so hard. It's kind of frustrating when you try your hardest and unfortunately nothing ever came of that one." It wasn't the loss of income that bothered him, but the fact that it didn't reach an audience. "Being an artist, part of it is sharing with other people and actually completing the circle," Collen says. "That's the thing, we constantly strive for that. You win some, and sometimes you don't and so it's a constant battle." The fight continues with Songs from the Sparkle Lounge, due for release this month. It was recorded while touring over the last couple of years, and co-produced with the band's front-of-house engineer, Ronan McHugh. Sparkle Lounge was the name of the backstage nook set up to give them a place to be creative. To record on the road, "obviously you have to really apply yourself," explains Collen. "We went into this little area ... it's backstage, could be anywhere. It's been a trailer, it's been a bathroom. The sparkle lounge has an electronic drum kit and some stuff in there. It worked out really well. We certainly got the feel of the album while we were on tour, and it was just a matter of finishing it off between tours." This month's album launch means a busy schedule for the Brit rockers. In addition to tour dates, there are television appearances on Dancing With the Stars (they will be playing on April 29, not dancing) and Jimmy Kimmel Live on April 30. And with Leppard songs expected on new versions of the video games Guitar Hero and Rock Band, the familiar riffs will be soon be even more pervasive. While all of this gives the sense they might have ramped up the marketing strategy, Collen says the push is about the same as last time, when they launched X. Faced with the declining fortunes of the music industry, they learned there are no guarantees that an album will be a success, even if it has a powerful label behind it. Still, Collen has a good feeling about Songs from the Sparkle Lounge. The single, Nine Lives, is a meat-and-potatoes rock song made even meatier with McGraw's voice. It's already hit the top spot on rock-radio charts in the U.S. There's virtually no hint of country on the song, by the way. "In the back of my head, I had this idea for a song but I knew we couldn't go country," Collen says. "But we could go bluesy-rootsy. How I described it was AC/DC doing Start me Up by the Stones." In other words, it rocks, a fact that bodes well for the new disc. Any other themes or new directions? "I think the main part of it is it still sounds like Def Leppard," says Collen. "That's where we wanted to go with that." © The Ottawa Citizen 2008